Content:
Rennaissance dulcians | Baroque bassoons | Bassoons of the classic/early romantic
Bassoons of the late romantic | Contrabassoons | Ensemble music of the 18th century
Renaisance dulcians
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These are tuned to a=440. Bass and quart dulcians can also be built to a = 465.
Our production includes the entire gamut.
| Diskant | Alt | Tenor | Base | Quarterbase | Contrabase |
| c1 | f | c | F | C | F |
In the bass dulcian, we offer a direct-sounding, early instrument as
well as a softer-sounding, later model.
Baroque Bassoons
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A copy of an a=415 after "HKICW" is our outstanding bassoon from 1700. We also make a copy after Eisenmenger a = 415 from a somewhat later baroque period. For a=392, we make a copy of a bassoon from "HAKA" which originates from 1682 (it is perhaps the earliest surviving bassoon).
Bassoons of the classic/early romantic
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There are two models from which to choose:
- a nine key bassoon after Grenser with a clear sound and a fascinating quality; a = 430.
- a copy after Tauber, Vienna, a = 440. The original came into our collection recently and it seems to be an unusually good instrument.
Bassoons of the late romantic
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There are three models from which to choose:
- from Grenser/Wiesner with 14 or 15 keys
- from Ziegler, Wien with 15 keys
- from Schemmel, Wien (without picture) – with various keys
Contrabassoons
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In this we are the specialists. We have original instruments in our collection.
There are five models from which to choose:
- baroque contra after A. Eichentopf a = 415
- an anonymous high romantic Viennese contra with unique qualities a = 430 - 440
Ensemble music of the 18th century
At this time there were many types of bassoon in place. We make various sizes and pitches, to be used in works which do not specify a particular instrument as well as those which do.
- octave bassoons from Denner, Scherer and Schuster
- quint bassoon from Kuteruf
- quart bassoons from Kraus and Magvini























